Was that too much in one day?
One of the Michigan group had arranged a guided visit to the Vatican museum and the Sistine Chapel for the morning and I was invited. Frank had made reservations for the Borghese museum for 5pm and they could not be changed. So, big day!
The day before, on the bus into Rome, we had driven by the two-block line of tourists without guides attempting to enter the Vatican. Hiring a guide bypassed the lines.
Our guide, Simon, from Belgium, was tall, blond, and easy to find in the crowd.
Clearly passionate about the art and history, he lectured us on things worth noticing. Among them, Michealangelo depicting women as men with breasts. He pointed out Michealangelo's self portraits in his paintings and also portraits of those who offended him. There are no cameras allowed in the Sistine Chapel nor is there discussion so, in the plaza, he reviewed each scene on the chapel ceiling and how long Michelangelo spent painting each section.
Rafael, also painted self portraits, and those of his many girlfriends, into his paintings.
Simon pointed out the illusions: the wall and ceilings that appeared to be in relief, yet were merely painted and the Jesus's eyes on the tapestry that followed us down the hall.
I was amazed at the thousands of Greek and Roman antiquities in the halls of the Vatican. And appreciative that the Catholics preserved and kept them in spite of the fact that they cut off their genitals or covered the pubic area with plaster fig leaves.
The Vatican museum seems to go on forever |
Simon in front of a grumpy and portly Roman reproduction of the Greek god of wine Fig leaf added by the Vatican |
So, we hurried through the largest church in the world, grabbed a sandwich at a stand and caught a cab.
At The Borghese, we rented recorders to guide us and checked all personal items--nothing, no phones or cameras allowed. Here, the marble statues of women were silky and romantic. Bernini's perlescent women have none of the masculine bulging muscles of Michealangelo's. Characters and Gods from ancient Greek and Roman legends either peacefully pose in the Renaissance tradition or, signifying the Baroque period, are sculpted in mid action--young David bites his lip and his muscles tense in concentration as he braces to defeat Goliath see .http://www.galleriaborghese.it/borghese/en/edefault.htm or
http://www.google.com/images?hl=en&rlz=1G1GGLQ_ENUS275&q=borghese+gallery&um=1&ie=UTF-8&source=univ&ei=PcPNTNKeO4OusAO2s43mDg&sa=X&oi=image_result_group&ct=title&resnum=6&ved=0CEcQsAQwBQ&biw=1019&bih=973
In another room, a life-size Apollo arms encircle Daphne,....while she is transformed into a laurel tree. The fine marble leaves of her hair ring like crystal, the recorder tells us.
Upstairs, I appreciated the emotion depicted by subtle color or light variation. Mary Magdelane's blush next to the dead Jesus' pallor and "The boy with a Basket of Fruit." The boy's cheeks mirror the fresh peach that he carries.
I've never had a more moving art museum experience!